Fab
Sept. 9, 2009
One
of the burs that get into the side of so-called writers is that often we really
are incapable of writing anything other than what we’re passionate about.
This affliction is particularly
troublesome when you make your living as a journalist, since a good 99 percent
of what you have to write you really couldn’t care less about. So when column
time comes around, well, you leap on the opportunity to pontificate about what
really flips your switch. Sometimes you hit with the reader, sometimes you
bomb. What’s hard about it is that the readers really don’t realize this about
how it is we do what we do.
All that, then, is in preface to the
fact that currently I am enthralled with the Beatles.
Yes, that’s right, I said the
Beatles. I never really was that much into the band most of my life. Sure, I
loved a handful of singles, and have great respect for their contributions to
the industry. For most of my life, though, I really liked the music the members
did solo more than together. My favorite Beatle was George Harrison.
Lately, though, the tube has been
awash with Beatles movies, documentaries and the like, and Suzie and I have
been watching them religiously, and I have gone off the deep end.
Certainly, I am not old enough to
remember the band in its heyday. I was born when the Beatles were coming into
their own, and by the time they broke up I was only seven. In fact, when Lennon
was shot four times in the back by Mark David Chapman in 1980, I only vaguely
knew who he was, having been raised in a country music household and by then
only just delving into this new, wonderful universe of rock and roll.
We’ve been watching the Beatles Anthology for weeks now, and
have also seen The Making of Sgt.
Pepper’s and more. What strikes me most I guess, other than the music, is
the great joy and terrible sadness of their story.
Back
then long time ago when grass was green
Woke up in a daze
Arrived like strangers in the night
Fab – long time ago when we was fab
Fab – back when income tax was all we
had… (Harrison)
What I’ve seen in the early part of
their career was four friends who were close as any could be. Silly, innocent
in so many fleeting ways, and talented as all get-out. Certainly this would
change, as the metoric rise of their careers took its toll. By the end of their
era, particularly the drug use and Lennon’s transformation into a wild-eyed
radical who seemed determined to rock the boat in any way he could, there
wasn’t much left of that friendship to hold them together.
But what has moved me most is the
comradery between them early on. As I watch Anthology
I see the gradual wounds, the creeping toll that fame extracted from them.
By 1966, the Beatles were so fed up with performing live they never did it
again. Beatlemania had, already, begun to unravel them. But my goodness, the
music they produced! Forget the bubble-gum stuff, though it was good in its own
way: I’m talking about ballads like In My
Life and Hide Your Love Away and
rockers like Twist and Shout and even
Revolution.
I watch these documentaries and I see
the pressures get to them: Not having privacy, not having peace. The same
pressures that undid Elvis, Jim Morrison, so many more. It’s a wonder they
avoided self-destruction. In Lennon’s case, his destruction was from without.
Harrison himself narrowly avoided being murdered.
What I have always tried to do with
music and musicians is separate the music from the musician. It’s harder with
the Beatles, now, to watch that gradual fall from friendship and innocence into
despair.
But what survived ware the songs, and
the talent. John, Paul, George, and yes, Ringo, left behind a body of work that
is unsurpassed. Yes, I hardly knew who John Lennon was in 1980, but I admit I
was devastated in 1999 when George Harrison died of cancer. I watch Paul and
Ringo grow older and older, and realize there’ll be a day, not too far away,
when there’ll be no more living Beatles, and it’ll seem like an era will really
be ending then, not 1971.
Because when you put aside the
politics, the religious views, the freaky walrus stuff, what remains is wildly
funny movies like Help! You find
incredible talent in Eleanor Rigby
and, oh, who could dismiss The Long and
Winding Road? Penny Lane, While My
Guitar Gently Weeps, Yesterday, All You Need is Love…of course, I could go
on and on and on.
I think the message I’ve heard, here
now, at 44 years old and only just discovering who they really were, is that,
in fact, all you need is love. Imagine. All things must pass.
And I guess the only way to end a
tribute to my sudden fascination with the Beatles would be in George’s words:
Little
darling, I feel that ice is slowly melting
Little darling, it seems like years
since it's been clear
Here comes the sun, here comes the
sun,
And I say it's all right
It's all right…